Dhobi Ghat was by far the most awaited movie in this month. And it everything that people expected it to be from the trailers. If one was disappointed with the end result then I guess we were giving too much credit to the audience. In a very “Crash meets Bollywood” style of movie making, Kiran Rao gives us the story of 4 people in the city that doesn’t sleep, whose lives are intertwined thanks to various twists of fate if one may call it that. And she doesn’t do a bad job at all.
Arun (Aamir Khan) is an eccentric painter (that’s redundant right – aren’t all painters eccentric – no offence meant to the painter community). He shies away from public appearances and doesn’t make an appearance at any of his exhibitions. Any of them until now. He lands up at his latest exhibition which is based on Mumbai – his muse, his whore, his beloved – as he proclaims proudly. As he is getting away from the socializing, he bumps into Shai (Monica Dogra) who is an investment banker from New York on a sabbatical to Mumbai. Her passion is photography and she wants to use the time in Mumbai getting a look into the lives of the marginalized people including the exotic varieties such as the “Night Rat Killers” (didn’t know something like that existed out here – so much for being a Mumbaikar).
Needless to say, Arun and Shai hit it off and land up in bed that very night. Arun, however, is not really interested in anything long term. Especially coz he is divorced around 2 years back and completely unprepared to get into another relationship. Quite a bad morning after for sure.
When Arun moves to a new place, he finds 3 video cassettes left there by the previous tenant, Yasmin (Kriti Malhotra). He tries to return them but is unable to find out any details. Intrigued, he decides to watch the tapes to find out whats in them. They turn out to be video letters that Yasmin planned to send to her brother about her stay in Mumbai.
Arun’s Dhobi, Munna aka Zoheb (Pratiek Babbar) is the common link between Arun and Shai. He wants to be an actor. Shai is quite taken in by Munna in a manner of speaking and decides to take his help on her project. Munna also, coincidentally helps her get to Arun’s new place. The friendship between the two develops quite quickly and as time goes by, Munna develops feelings for Shai which are obviously one sided.
Dhobi Ghat tries to get to the fore the complexities of relationships that develop in this city between different kinds of people. The hope that is existant in most people about the next day being better than the previous one. The casting is quite good with Pratiek Babbar probably being the weakest of the lead 4. But he does come across as extremely sincere and puts in a genuine effort. Aamir Khan being Aamir Khan is quite effortless in his portrayal of the eccentric Arun. I suspect, it didn’t take quite an effort cause he was probably being himself. The pleasant surprises were definitely Monica Dogra and Kriti Malhotra both of whom, I thought, were quite superb. Both first time actors in main stream cinema. Both essay their respective roles with high levels of confidence, unperturbed by the fact that there are other well known names. Acting performances are what keeps Dhobi Ghat alive despite its slow pace. The music by Gustavo Santaolalla & Anibel Kerpel is again well placed with good use of Indian Classical for effect. However, the lead track had striking similarity to that of Krrish of all the movies (maybe a figment of my imagination or just the same raga). If you like the arty kind movies where the story is strong but the pace is really slow and it includes still shots which seem to last forever for no apparent reason, then Dhobi Ghat is just the way you would like to spend your evening. The ridiculous “95 minute without interval” gimmick kept aside, it gives Kiran Rao a very strong start. I liked it. 7 on 10.
Watch the trailer at http://www.imdb.com/video/imdb/vi1451268889/
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