Disclaimer –
This writer is a massive James Bond fan.
He has collected every single release of James Bond on DVD and plans to
convert the same (shortly) into an enviable Blue Ray collection before the
release of Bond 2017-18. He can rarely
find fault in a James Bond movie and therefore can be classified as a “classic
fanboy”. Read on.
The camera pans into the Day of The Dead celebrations in Mexico City where a man in a light coloured jacket and tie, replete with a mask of a skull (which is a standard accessory on the day) is making his way through the carnival. Another man in a dark jacket and tie that can put a skeleton to shame watches him with girl in arm. His gaze follows him into the alley before he takes the other road into a hotel – All in a single shot and we are 2 mins plus into SPECTRE.
Dark skeleton
enters his hotel room (and even now, you think it is a single shot) before
relieving himself of the first layer of clothing and showing himself to the
audience as Bond (Daniel Craig). He
picks up one of his gizmos that enables his license to kill, looks at the girl
who is now all but waiting to be taken and says, “I will not be long” before
hopping onto the parapet of the hotel and making his way to his vantage point. The walk is shot in a manner that can make
you ever so slightly giddy.
Bond’s target – Light
coloured jacket guy aka Marco Sciarra (Alessandro Cremona) who plans to blow up
a stadium. Of course Bond blows up the
building instead but Sciarra is not one to die easily. A chase through the carnival leads Bond and
Sciarra into a fist cuff in a helicopter followed by death defying stunts
before Bond all but crashes the chopper into a few thousand revelers…. Fade to –
Sam Smith crooning “Writing’s on the wall”.
Spectre then
moves onto narrate a story (as always an unbelievable one) involving a nexus of
crime led by an unknown person who Bond has to eliminate. Only this time, he is not doing it under the
umbrella of MI6. He is doing it to
avenge his mentor and ex-boss, Old M (Judi Dench). His chase leads him to Sciarra first before
travelling to Rome, Austria, an exotic Alpine Health retreat, Tangiers, the
middle of the Sahara and back to London for the inevitable climax at the now
defunct MI6 HQ (blown up in Skyfall).
En Route, he has
an encounter with a 50 year old sizzler Lucia Sciarra (Monica Belucci), a giant
called Mr. Hinx (Dave Bautista), a less than sensational car chase (by Bond
standards) through Rome in his new Aston Martin DB10 (which was meant for 009),
a less than romantic escapade with a daughter of an assassin (White – from Casino
Royale) Dr. Madeline Swann (Léa Seydoux), another encounter with Mr. Hinx in a
Trans Saharan Railway Carriage for good measure before blowing up the villains
lair.
Bond goes
through all of this in a manner that makes him look the least vulnerable
amongst all Daniel Craig Bond movies to date.
Sam Mendes has definitely nudged the character up the ladder in a
way. But unfortunately for Mendes, the
script / story doesn’t do absolute justice to Bond. It is not tight and meanders a little in bits
and parts leaving the audience a tad (in many cases very) disappointed.
But don’t let
the critics dissuade you from enjoying the 24th Bond roller
coaster. The stunts are superbly
executed. The performances especially
the sinister one from Christoph Waltz is worth spending money on. Daniel Craig is as always awesome. A pity that our “Sanskari” Censor Board will
not let you see as much of Monica Belluci as Sam Mendes wanted us to see. Overall, not the best Bond movie ever made,
but definitely enjoyable and as much of a roller coaster as many of the good
ones. 7 on 10.
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