Thursday 2 January 2014

47 Ronin

A Samurai without a master or one who has lost his master’s privilege was as good as one without a home i.e. a wandering man.  Loosely translated, in Japanese, it meant “wave man” or Ronin – How's that for a piece of trivia to begin 2014 with.  Although I ended 2013 with the preview of 47 Ronin, you will be able to catch up with it only from the 3rd January 2014.  A decent watch I must say.



47 Ronin is based on the Japanese legend of the same number of Samurai who were left homeless thanks to a devious plot by Lord Kira (Tadanobu Asano).  Kira, along with his partner in crime – a Witch (Rinko Kikuchi – Babel/Pacific Rim fame) – frames Lord Asano (Min Tanaka) of the Ako province.  The Witch puts Lord Asano in a trance and he attempts to kill Lord Kira while in the trance.

With no evidence to prove that Lord Asano was not totally guilty as charged, The Shogun (Cary-Hiroyuki Tagawa) allows him an opportunity to die with honour by performing Sepuku (ritual suicide).  He leaves behind his trusted general Ôishi (Hiroyuki Sanada) and daughter Mika (Kô Shibasaki).  Also left behind is Kai (Keanu Reeves) who is a half demon half human adopted by Lord Asano many moons ago.

A year after Ôishi is imprisoned and Kai is banished from the province, Mika is scheduled to be married to Kira as per the directions of the Shogun.  Ôishi is released from captivity in a hole about 30 feet under.  He regroups with his men and along with Kai’s help, plots Kira’s assassination.  This, despite the strict directions from The Shogun that Lord Asano’s death shall not be avenged.

There aren’t too many movies made on Japanese mythology / culture and it is indeed good to get a view into the same.  But did the makers pay careful attention to detail while making the movie? There were some elements that I thought may not have been acceptable as per Japanese culture in the 18th-19th Century – not that I am an expert in any manner.  They just didn’t seem real.

A lot of emphasis has been put onto the costumes and some rituals and all of these come together to form a great visual treat for certain.  The story is not short of action at regular intervals either.  However, it isn’t the most engaging narrations I have seen.  Movies like The Last Samurai were far more engaging.  47 Ronin probably had a more powerful story but lacked a powerful director like Edward Zwick behind the camera.

Carl Rinsch is not bad for a first time director but could have done much more to improve on the pace of the movie.  Keanu Reeves is as always great as eye candy but his acting prowess hasn’t improved dramatically over the past 30 years.  I wonder why the makers insisted on making the movie in English when the entire cast was Japanese.  Would have been much better with subtitles I think.  As such, worth a dekko – 6.5 on 10.

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