This is why I really
really really would have wanted to be introduced to the world of film festivals
earlier. While I knew they existed, I could
not make time for them with my “busy” schedules and I always thought they were
boring fora where people come to promote “Art for Art’s sake”. But over the 17 movies that I saw in MIFF, not
one fell into this category. In fact,
some were outstanding to say the least.
Locke is a movie
that has one actor. Yep. You heard that one right. One actor.
Tom Hardy from frame 1 to the end of 85 minutes on the M1 or M3 (cannot
remember that part at all). Ivan Locke
(Hardy) has to leave London to be next to Bethan (Olivia Colman) – a one night
stand that he had a few months ago, because Bethan is about to give birth to
their child.
Having established
the premise of the movie, Steven Knight (Hummingbird) goes on to unravel one of
the finest works in script writing that I have seen in a really long time. The entire movie is shot in the car. The entire movie is a series of telephone
conversations that Ivan Locke has with several people along the way.
There is the
conversation with Donal (Andrew Scott) a site engineer who is working on a
serious deliverable that night. One that
involves a few road closures and complex setting of concrete. One that needs Ivan on site through the
night. He could not have picked a worse
night to not be on site but that is one aspect of Ivan that Knight establishes
repeatedly through the movie – his priorities start with family.
Locke shuttles
between Donal who is about to resort to cider to help him get through and Bethan
who is on the throes of the highest level of pain known to mankind. In between these two conversations, he is
consumed by his desire to tell his wife Katrina (Ruth Wilson) who is expecting
him back home that night because his sons wanted to watch the football (soccer)
game on TV.
The plethora of
emotions that Knight plays with is outstanding.
There is exasperation (Ivan with Donal). There is guilt (Ivan with
Katrina). There is anger (Katrina with
Ivan). There is doubt / ambiguity /
confusion (Ivan and his sons). There is desperation
(Bethan with Ivan). There is frustration
(Ivan with his boss). And I could go on for a few more pages but I guess you
are getting the drift.
Imagine the
talent and capability on display to get all of these and more into less than 90
minutes of riveting dialogue. To me,
Locke was one of the finest movies made last year and definitely amongst the
best that I saw. Tom Hardy was on screen
but the voices over the phone were equally good if not better. Here’s to more such ideas that see the light
of the day. Here is to success to more
such cinema makers!!! 8 on 10. Don’t miss
it.
No trailers
found on line as such but here is a short clip called the Establishing Shot http://www.youtube.com/watch?v=3V3IQ2aRNhI. Watch this
interview with Tom Hardy http://www.youtube.com/watch?v=tqu3CGhMOx0
And of course, the highlight of the movie and probably the dialogue of the year is when Bethan asks Ivan
And of course, the highlight of the movie and probably the dialogue of the year is when Bethan asks Ivan
Bethan : Do
You love me?
Ivan : (in a dry acidic manner) That’s a question
you are asking me probably because you are in pain or something. How could I love you?
SIMPLY
BRILLIANT!!!!
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