In 6 editions of
the franchise, X Men has generated $2.31 billion at the box office. That is billion with a “buh” as Alan Harper
(2.5 men) would put it. Now the sad part
is that despite this massive level of success, it is still not in the top 10
franchises of all time. Embarassingly
below the Twilight series. With Days of
Future Past, they should easily surge ahead of the silly tweenage romance.
X Men Days of Future
Past (XDFP) marks the return of one of my all time favourite directors – Bryan
Singer. Singer’s brilliance set the tone
for the first 2 editions of this wonderful franchise. The difference was starkly visible in The
Last Stand, First Class and both the Wolverine series. Matthew Vaughn came close to Singer’s
execution with First Class but not remotely close to the scale and class of
XDFP.
I had not completed
my usual research before I walked in to watch XDFP last night. I actually walked in with a hope somewhere in
the back of my head for Bryan Singer to direct this one. In about 20 seconds, Singer’s trademark stamp
was visible all over and the fan boy in me took over from the avid movie
critic. Singer has also written this
brilliant story that will have you riveted to the screen.
XDFP starts
somewhere in the near future where the clan of Mutants has fast depleted. The final few are struggling for survival
because they are being hunted down by a new creation called The Sentinels. The Sentinels are the brain child of the
insecure, yet brilliant scientist and businessman Dr. Bolivar Trask (Peter
Dinklage). Trask believes that mutants
will take over from homo sapiens after annihilating the human race.
Whats the big
deal about all this? Trask died way back
in 1971. He was killed by Raven /
Mystique (Jennifer Lawrence) to prevent the Sentinel programme. However, Mystique was captured in the bargain
and in less than 50 years, Trask’s followers replicated her DNA to give
Sentinels who can mimic every known mutant to mankind, leaving our heroes defenseless.
The final bunch
of Mutants include Kitty Pryde (Ellen Page) who can transport your mind back in
time. But moving someone 50 years back
to the 70s will need someone who can withstand the force and heal quick. No points for guessing who takes that
job. At this point, you need to fasten
your seat belts and let the adventure begin.
Over a little
under 2 hours after establishing the premise, Singer takes us through some
fantastic visual effects peppered with just the right amount of dialogue and
humour to ensure that a very broad spectrum of the audience will be
entertained. The action sequences are
brilliantly shot and most importantly are not something that we have seen. Don’t miss the sequence where Peter / Quicksilver
gets Erik/Magneto out of the Pentagon.
What takes the
cake for me are the performances.
Whoever thinks that superhero movies are more about effects and lesser
about acting should take a look at XDFP. James McAvoy / Patrick Stewart and
Michael Fassbender / Ian McKellen as Professor and Magneto continue to be
superb.
But to me, brilliance
came in the form of Jennifer Lawrence who was so at ease with her role as
Mystique that you cannot fault anyone if she would be mistaken for Mystique in
real life going forward. Simply
superb. And I can assure you that it is
not the fan boy in me speaking. Take my
word for it. XDFP is the Superhero movie
of the year so far. 8.5 on 10.
Watch the trailer
on http://www.imdb.com/video/imdb/vi3858345241/?ref_=tt_ov_vi
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