A good cast and
a good plot / storyline doesn’t necessarily make a good movie. No other movie in recent times can come close
to this adage as much as HINDI MEDIUM. The
movie has Irrfan Khan in it and therefore it must be good. Keep in mind that
Irrfan also have non-movies such as Jazbaa, Thank You and Acid Factory amongst
others to his credit. He is human. He makes mistakes.
Ensuring you watch what is good and hope that you avoid what is bad in the world of cinema
Sunday, 21 May 2017
Friday, 19 May 2017
Half Girlfriend (2017) (Hindi)
So if you haven’t
seen Fitoor Mishra's CommentArré on the Half Girlfriend Trailer then believe
me, the 2 minute narration by this man is definitely better than the 2+ hours
of Half Girlfriend – Damn I have to stop stating the obvious. Have a dekko at the Fitoor Mishra CommentArré
first https://www.youtube.com/watch?v=rMLg6s68HIc. And for those who aren’t familiar, Shuturmurg
= Ostrich.
Friday, 28 April 2017
Baahubali The Conclusion (2017) (Telegu Tamil Hindi)
Bijjaladeva
(Nasser) in Bhallaladeva’s (Rana Daggubati) presence, along with his cronies,
rants and raves about his wife Sivagami (Ramya Krishnan). He believes that they should kill her and
pave the way for Bhallal’s coronation. He
calls Katappa (Sathyaraj) a dog (kutta).
Saturday, 22 April 2017
The Zookeeper’s Wife (2017) (English)
I have never
been a fan of using English as a primary language of communication in a movie
that is set in a country where English is not a first language; even more so, in
a period drama. To me, that is where The
Zookeeper’s falls short. There is a dialogue
in the second half that made me cringe. When Antonina Zabinski (Jessica
Chastain) tells Urszula (Shira Haas), “I have always wanthed tu dhraw”.
Labels:
2017,
6 on 10,
Daniel Brühl,
Daniel Ratimorský,
Drama,
Efrat Dor,
Iddo Goldberg,
Jessica Chastain,
Johan Heldenbergh,
Martha Issová,
Michael McElhatton,
Niki Caro,
Shira Haas,
Timothy Radford,
Val Maloku
Friday, 21 April 2017
Maatr (Hindi) (2017)
The posters and
the reviews screamed out that it was Raveena’s magnum opus and no less. I would not say that it was far from the
truth but then again it was nowhere close to a power packed performance that
one would have expected from a role that offered so much. It was controlled in parts but more often
than not exposed the gaps that Raveena always had in her armoury (if she had
one that is).
Noor (Hindi) (2017)
A mic was thrust
upon my face by a couple of rank rookies – much like Noor, in the movie – who were
obviously asked to survey people who had watched the first day first show of
Noor. It was a first for me and I was
caught off guard and all I could muster is, “Theek Thha”. Eh? Your 15 seconds of fame and all you could
do was say “Theek Thha”???
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