Force

This is the 2nd movie involving Nishikant Kamat that I have seen this year. The first one was 404 as an actor where he was quite solid. But Nishikant Kamat the director has probably not translated his acting talent or for that matter his directorial talent - from his the Marathi Cinema repertoire (I hear Deool is really good and will be watching it soon) into Force. The direction is sincere no doubt but I would rate it as average at best. Not impactful in any manner. Plus the lack of emphasis on consistency just keeps getting to me. Do Indian directors really believe that the population is naïve enough not to catch up with some of them – maybe they are true but I guess that’s what differentiates the great ones from the good ones. So if Nishikant Kamat wants to be a great director the I guess he has to start paying attention to the finer details.

Now I agree that one can probably do only this much with a chatterbox who speaks through her teeth and thrives on saying, “ACP Sir” all the time so much that you forget that the ACP is actually called Yashwardhan (John Abraham). After a point of time Maya (Genelia D’Souza) starts sounding like the chalk scratching the black board which makes the kids cringe and clamp their ears shut. Not that the hunk of meat is far superior. But at least he isn’t a put on. I have always believed that John Abraham is one of the most sincere actors in Indian cinema. That he will stick to commercial cinema that may require him to take his shirt off (he gets paid for it unlike Sallu Bhai who does it gratis) is not a surprise. And then there is the supporting cast of a constipated Raj Babbar, a mature looking Mohnish Bahl, a less irritating Sandhya Mridul, A young Shashank Shende, a crass and unpolished Kamlesh Sawant and an insignificant Anaitha Nair (please please start finding more meaty roles – I would love to see you on screen more often. I think you have looks and talent. Why waste it )

A typical formula movie of a lead good looking inspector, a young upstart who will get killed, An older mature officer in the team and a crass hot blooded honest cop to complete the quartet. Sincerely made for certain. Could have been better. Has generated enough interest in me to look for the Tamil DVD. But not a bad way to spend a Saturday or Sunday afternoon and its playing on TV. Not required to watch on the big screen at all. It’s a little weird but I just noticed that this was a remake of a Tamil movie by a Marathi director in Hindi – anyone knows if other such combinations exist? Never Mind my “google swamy” avatar speaking. 5 on 10 to Force

Trailer on http://www.youtube.com/watch?v=0MpB95_ArXA

Chak De India!!!

16 ladies who were converted to being household names 4 years back (will be 4 years in 1 week) - Vidya Sharma (Malavade), Balbir Kaur (Tanya Abrol), Gul Iqbal (Arya Menon), Nethra Reddy (Sandia Furtado), Soimoi Kerketa (Nisha Nair), Rachna Prasad (Kimberly Miranda), Raynia Fernandes (Raynia Mascerhanas), Nichola Sequiera (herself), Rani Dispotta (Seema Azmi), Bindia Naik (Shilpa Shukla), Gunjun Lakhani (Shubhi Mehta), Mary Ralte (Kimi Laldawla), Molly Zimik (Masochon V Zimik), Aliya Bose (Anaitha Nair), Komal Chautala (Chitrashi Rawat) and Preety Sabharwal (Sagarika Ghatge). It will take a while before people are able to forget these names which probably go us closest to a victory in a world cup hockey. Shimit Amin’s second movie was an even bigger block buster than his first one (Ab Tak Chhappan) and went on to cement his position as one of the better directors in Indian Cinema.

Shimit’s capability to generate enough enthusiasm to deflect the audiences attention from the really finer details is what makes him a solid movie maker. What he does beautifully is creating the excitement from the first shot of the movie where Kabir Khan (Shah Rukh) misses the penalty stroke in the final few seconds and so the world cup. Every few minutes he ensures that the movie actually touches an emotional chord with every viewer – and he does so beautifully with almost every Indian through Chak De India!!! Such as when Nethra Reddy is asked, “Tamil” and she says “Tamil aur Telegu mein utna hi farak hota hai jitna Punjabi aur Bihari mein” (The difference between Tamil and Telegu is identical to that between Punjabi and Bihari) Or when Mary Ralte and Molly Zimik say, “Aap apne hi Desh mein mehmaan banke rahoge”? (Would you like to stay as a guest in your own country) A Superb way to touch the regional sentiments and then get the nationalist sentiment also up and running with “Vidya Sharma. India”. Very slick movie making Mr. Amin.

Each character is clearly defined in terms of origin, aspirations, problems and what she expects to achieve from the campaign to win the world cup. Whether it is Komal’s desire never to be in a kitchen or Preety’s wish to prove her boyfriend wrong or Vidya’s need to win the world cup so that people at home let her live her life or Gul’s family’s legacy which she must live upto. Every single person with the exception of probably Nichola Sequeira, Rachana Sharma and Raynia Fernandes have been given their due.

Having said that, there are enough and more gaffes which would be visible to one if and only if s/he were to watch the movie through the eyes of a critic who wants to find mistakes. And even there Shimit would have a decent explanation to offer. The inspirations from Miracle on Ice are unmistakable though. The only place where I could question Shimit on his complete “originality”.

It is exceptionally difficult to review a movie that the entire world has seen and without doubt is completely in love with. Chak De is definitely the best sports movie made in India to date and could compare with some of the better ones world over for sure. If we were familiar with Ice Hockey or American Football I am certain we would find the same consistency errors that we do in Chak De. But the fact that Shimit has made this move as true to field hockey as possible is all credit to him. I would still give it an 8 on 10. Cant give more because I am aware of the flaws. But for those who haven’t seen it, you have definitely missed something. Add this to your MUST WATCH list.

Watch the trailer at http://www.youtube.com/watch?v=_NWwrarwqPE

Dum Maro Dum

That Abhishek Bachchan will live in the shadow of Yuva for the rest of his life and continue to try and benchmark himself to that level is a foregone conculsion in any of his movies. But to his credit this time around, he does give you some glimpses of the intensity that he showed in his best performance to date. Hope Floats for all your fans of the Jr. B (count me out of that list for the time being). After Game I thought it was all over folks. It was definitely time to get the fat lady in.

What makes his performance look better than what it actually is the sheer presence of John Abraham’s ex who has this innate capability of making anyone look better on screen. If there was a plastic meter for performances on screen then Bipasha Basu would have scored 12 on 10. And then you also wonder what Rohan Sippy was thinking when he cast Aditya Panscholi. Definitely a case of the ex Mr. Zareena Wahab (whats with these exes?) having put in money into the production.

And then there is rest of the cast led by Tollywood hero Rana Daggubatti who manages to hold his own in his Bollywood debut. Pratiek (without the Babbar) is sincere, but as always seems to have tried really hard to make things look as real has he possibly can. The saving grace in the acting department is however the natural, ice cold performance from Govind Namdeo who comes out on tops once again.

Dum Maro Dum revolves around the elusive Michael Barbossa aka Vincent Vega aka Colin Coutinhon aka Tobby Follet who is the savior of the drug mafia in Goa. Whenever the narcotics business in Goa starts to take a beating, Barbossa or one of his avatars comes in to save business which is primarily led by Lorsa Biscuita (Aditya Panscholi). But Barbossa’s days are about to be numbered when the Home Minster Ponda (Bugs Bharagava) calls on ex-cop ACP Vishnu Kamat (Jr. B) to clean up the state. In his previous assignments related to narcotics, ACP Kamat was notorious for maximizing his personal wealth. But he loses it when his family dies in a car crash. Poetic justice because the drivers of the other car were high on drugs. He picks his own team – Rane (Govind Namdeo) and Mercy (Gulshan Devaiya) to help him. His first breakthrough happens when he manages to foil Lawrence Eduardo Gomes aka Lorry (Pratiek) who is forced to become a carrier to pay his fees for a US University. All poor Lorry wanted to do was to be with his girl, Tani (Anaitha Nair) who gets through to the same uni with a 100% scholarship. Lorry’s close friend Joaquim aka DJ Joki (Rana) tries to convince him to come clean and even manages to strike a deal with ACP Kamath but Lorry chickens out and Joki’s only chance to get back @ Biscuita goes abegging. You see Biscuita has stolen Joki’s girl i.e. Zoe (Bipasha Basu) in the same manner as Lorry manages to get himself into jail. All these characters try to solve the big mystery – Who is Barbossa???

Poorly written dialogues are the bane of DMD which could have been a much better movie than it turned out. Lines such as “Moscow ke DJ tyaon tyaon aur pussycats meow meow. Live FTV no censor” and “Barbossa ka pata chahiye. Baaki sab ke liye google hai” and “MC ya BC? Middle Class ya Business Class”. I mean what was Rohan Sippy thinking? He didn’t have Rajanikant to carry these lines off right? Pritam’s music continues to be heavily and now obviously “inspired” and inspid. Rohan Sippy still tries his best to keep the movie racy enough for you not to get bored. Would have expected better coz this one doesn’t come upto the previous mark he set with Bluff Master. The random use of Konkani words fall flat. As a good friend says, “That’s the magic of it all. You aren’t Goan till you are Goin man”. Overall a below average effort. 4 on 10 is my final verdict. Was tempted to give it a point more but nah. Not happening.

Watch the trailer on http://www.imdb.com/video/screenplay/vi2560597273/

Jhootha Hi Sahi

Siddharth (Sid) runs a book store called Kagaz Ke Phool in London along with his partners – Omar (Raghu Ram) and Amit (Omar Khan). He is in a relationship with Krutika (Manasi Scott) – an air hostess. Omar lives next door to Sid with his extremely pregnant sister Aliya (Alishka Varde). Aliya is in a relationship with Nick (George Young) who is, I can only assume, a 2nd generation Japanese dude because he doesn’t show any signs of being Jap. Looks fairly European to me. But yes, he definitely has a Jap surname. Nick is apparently madly in love with Aliya and doesn’t stop short of proposing to her almost every single day – he would do it every hour if he could.


Now Sid is not really in love with Kruttika. And the rest of the gang is not really hot about her either. Omar keeps asking Sid when he is going to break up with her but Sid is in denial. Sid stammers when he is in front of beautiful women and he believes he is in love with her because he doesn’t stammer with her – and just in case your devious mind thinks that she is not beautiful – Mansi Scott is gorgeous to say the least (drool drool). Nevertheless, all of this takes a twist of fate when “Dost Help Line”- a suicide helpline for Indians in London, prints Sid’s residence number instead of their number. Sid is inundated with calls through the night. When the helpline realizes their mistake, the representative (Nandana Sen) requests Sid to keep help by taking calls and giving the actual number – a person who is about to kill oneself is definitely prepared with a pen and paper to take down a new number.

Sid is not pleased but offers to help since it is a matter of life and death. As luck would have it, that very night he receives a call from someone who is not willing to speak at all. So Sid is left holding the line through the nite – which he does painstakingly through a few coffees and large doses of National Geographic. The next morning, the caller – who has by then slept off, introduces herself as Mishka (Pakhi) and goes on to give her entire sob story of how her mother committed suicide and how her boyfriend Kabir has left her etc. etc. Now Sid, to keep her pepped up gives a whole lot of bull shit about how he has climbed Mt. Everest and worked for NASA and that life has loads to look forward to and it is not worth ending. Slowly a friendship develops between Fidatoh (that’s what Mishka calls Sid over the phone coz she doesn’t know he is Sid). Inadvertently, Fidatoh tells her about a book that is available only in one book store in London i.e. Kagaz Ke Phool. Now Sid meets Mishka and the complicated balancing of life between Sid and Fidatoh begins.

Most of the male cast tends to go overboard on the acting front. The entire female cast is quite balanced. Pleasantly surprised with Pakhi who has also written the movie it would seem. I wonder what the confusion with Friends is all about. Cant remember any episode of friends that goes this way – but then I am not a huge Friends fan anyways. Abbas Tyrewala had only one directorial venture before this which was a huge success – Jaane Tu Ya Jaane Na. This one will not be as huge but is quite decent. Humour is a bit forced in part but good overall. Entertaining movie I say – 6 on 10.