Showing posts with label Robin Wright. Show all posts
Showing posts with label Robin Wright. Show all posts

Wednesday, 8 February 2012

Moneyball

Which one of the following do you really like 1. Baseball
2. Statistics
3. Economics
4. Sport in general
5. None of the above

If you ticked on 5 then I suggest that you avoid Moneyball like the plague. You will find nothing in it that will keep you riveted to the screen. Chances are that you will walk out of the hall scratching your head and cursing the Academy for yet again picking a dud for the Best Movie nomination. If you ticked on 1 or 2 or 3 and have a deep love for either of these subjects then chances are that you will find the movie very interesting and will comfortably sit through for more than 130 minutes. But you need to pay close attention to what is being said. If you ticked only 4 then you will struggle through the movie. You will have to be patient enough to survive the parts that are heavy and I mean really heavy on numbers and strategies. You need to be even more cued into what is being said and you have a good chance of understanding the movie better than people who have not done what I have recommended.

In the unlikely event that you have ticked 1, 2 and 3 then you have hit yourself a jackpot. Chances are that you are Peter Brand (Johan Hill) who is an economics major from Yale and has found his calling in baseball. Who strongly believes that getting the championship is about winning more games. Winning more games is about getting to more bases and getting more people out. Winning more games is about scoring more runs that the opposition. Adds up doesn’t it? And who would have been better placed to experiment with this method than the General Manager of the Oklahoma As i.e. Billy Beane (Brad Pitt) who is at his wits end trying to figure out how to manage a baseball team @ a budget of $38 million a year which is the lowest in Major League Baseball. The two went on to revolutionise player and team selection over the early part of the previous decade. Stuff that case studies are made of.

Based on a book written by Michael Lewis "Moneyball: The Art of Winning an Unfair Game" – the movie has earned itself 6 nominations. None of the nominations – including Best Picture – are surprising. That it may not win the best picture is mainly due to other movies such as The Descendants and The Artist being better made on more parameters than the 6 that Moneyball finds itself nominated. Excellent editing for certain and great performances from both Pitt and Hill who seem to have a chemistry of sorts on screen. They just get along seemingly very well. Havent read the book so cannot comment on the quality of screenplay adaptation and I am not qualified to comment on the sound mixing either.

What I can definitely say though is that the movie is well made and worth a watch. But keep a look out for what I called out in the first paragraph. An understanding of basic baseball, economics and statistics will go a long way in understanding the movie. 7.5 on 10. Deservedly in the top 10 movies of the year. But not surprising that it hasn’t released in India yet.

Watch the trailer at http://www.imdb.com/video/imdb/vi3229326361/

Tuesday, 31 January 2012

The Girl with the Dragon Tattoo (English)

Obviously by now, you would have already read the book. For those who haven’t, you have about 10 more days to do so coz this one is going to hit the screens in India on the 10th Feb 2012 (hopefully). PVR has started advance booking for the same. You can pre-book your tickets on the PVR Cinemas website. For those who are unaware, here is the link. http://www.pvrcinemas.com/movie/pre-book-form.aspx?pid=8N/SGuOj9j8=&movieid=rDJnnCx7F1KWUI4/ffc0hg==

This is the review for the English version. Just happened to catch up with it in Adelaide. Could not have waited till I got back to India because the damn teasing was getting too much to handle. It was to be released about 2 months back and I have no clue why the distributors were taking so long. Plus, how could I have missed an opportunity to post a review a full 10 days before my primary audience can watch it. Will post the link again a couple of days before the actual release in India if you would like me to that is.

David Fincher has been one of my favourite directors of all time. Starting from the spine chilling Se7en (not including Alien3) all the way to the exceptionally well directed Social Network that got him his second nomination (other than The Curious Case of Benjamin Button) at the Oscars. So you could have imagined my happiness when I realized that TGWTDT was to be directed by him in English. But my happiness has been for the first time ever so slightly belied by Mr. Fincher. Through the movie, there are small instances of deviating from the actual storyline that was written by Stieg Larsson. But it keeps building up to a point where you actually get a little peeved because he changes the ending which is supposed to take Mikael Blomkvist (Daniel Craig) to Australia and closes it at London instead. Left me quite perplexed as to why he would make so many changes. And then there are consistency errors – can you believe that about Fincher. I couldn’t myself so I think I will watch the movie once again to reconfirm the same.

However, Fincher continues to score on all the other aspects. The Casting was impeccable. Rooney Mara well and truly deserves her nomination. A pity she will lose it to either Meryl Streep or Viola Davis. Craig as Blomkvist and Plummer as Henrik Vanger were brilliant. The Editing had Fincher’s direction all over it to say the least. Kirk Baxter & Angus Wall who won it for Social Network continue to give their best here as well. Great camera work especially in some scenes which are outstanding like after Lisbeth tattoos Nils Bjurman on his chest and camera moves right over her. Simply stunning.

I did however think that a lot was overdone. Like the emphasis on the physical relationship between Blomkvist and Salander. The siphoning of Wennerstorm’s funds. And the last few pages of the book which show Salander losing out on love yet again. To name a few, these were the sections which need not have been addressed at all. And therefore, important parts such as Salander’s father and the exciting build up to finding out the murderer of Harriet Vanger get compromised. To Fincher’s credit, he has given the right importance to aspects such as the relationship with Erika Berger which was downplayed in the Swedish version. Overall, not upto Fincher’s standards. But definitely well made. No surprise though that the Oscars have ignored this one. 7 on 10 is what I say.

Watch the trailer at http://www.imdb.com/video/imdb/vi3830160409/