I love Matthew
Vaughn movies – Layer Cake, Stardust, Kick Ass, X Men – First Class and now
Kingsman Secret Service. I have seen
them all and I have realy loved watching each and every one of them. And therefore this review may just be a tad
biased towards one of my favourite directors from Hollywood.
Ensuring you watch what is good and hope that you avoid what is bad in the world of cinema
Showing posts with label Michael Caine. Show all posts
Showing posts with label Michael Caine. Show all posts
Thursday, 12 February 2015
Saturday, 8 November 2014
Interstellar
The most
difficult movies to review are the good ones.
That is the only excuse I can offer (and I will use this in the near
future as well) for this late review of Interstellar. The critic in you finds it extremely
difficult to focus on the good in the movie and is constantly looking for what was
missed out – inadvertently or otherwise.
Labels:
2014,
8.5 on 10,
Anne Hathaway,
Casey Affleck,
Christoper Nolan,
Ellen Burstyn,
Jessica Chastain,
John Lithgow,
Mackenzie Foy,
Matt Damon,
Matthew McConaughey,
Michael Caine,
Sci Fi,
Topher Grace,
Wes Bentley
Saturday, 8 June 2013
Now You See Me
The dictionary
defines magic as the art of producing a desired effect or result through the
use of incantation or various other techniques that presumably assure human
control of supernatural agencies or the forces of nature. Now if that doesn’t confuse
you then you have a tremendous command over the language.
Labels:
2013,
8 on 10,
Dave Franco,
David Warshofsky,
Isla Fisher,
Jesse Eisenberg,
José Garcia,
Louis Leterrier,
Mark Ruffalo,
Mélanie Laurent,
Michael Caine,
Michael Kelly,
Morgan Freeman,
Thriller,
Woody Harrelson
Friday, 19 October 2012
Secondhand Lions
I first saw Secondhand Lions on my trip to Singapore way back in 2004. It was part of the inflight entertainment on Singapore Airlines. And I remember having searched for the DVD for quite a while before I eventually found it. Needless to say, I picked it up the moment I laid my eyes on it.
And I do not usually let an opportunity by to watch it again. So, when Prarthana said she had not seen it, I had to make the most of the opportunity. Took us a few weeks to get around to eventually seeing it but I would not be lying if I said that both of us enjoyed it thoroughly. She was seeing it for the first time. I had lost count.
Garth (Michael Caine / Kevin Haberer) and Hub (Robert Duvall / Christian Kane) are seventy something young men – I say young because of their immense zest for life. They are now retired and rumour has it that they are loaded. Not with assets and money in the bank. But with hard cash. Cash they have stowed away somewhere on their estate. Far away from most civilization.
Cash that has various theories about its origin. One of them states that Garth and Hub were extremely famous bank robbers of the 1940s. Led by the brave and courageous Hub. Backed with the intelligence of Garth. A more popular story was about them being bounty hunters and the money was hard earned and to a significant extent given by a Shiekh (Adam Ozturk) who Hub defeated while wooing their mutual love interest – Jasmine (Emmanuelle Vaugier).
So, when Mae (Kyra Sedgwick), gets wind of the fact that her uncles are loaded, she decides that the best way to get her hands on the money is by leaving her son Walter (Haley Joel Osment) with them. Truth is that she wants to leave a life that is far more adventurous than handling an eleven year old. The rest of the story is about how Walter actually builds a strong bond of trust, love and most importantly faith with his uncles.
I must forewarn you that there is a possibility of shedding a tear of joy or two while you watch Secondhand Lions. Thankfully it will be a tear of joy for a wonderful story of faith. Of how we choose to be either happy or sad. To be either trusting or skeptical. And it is the faith that we have around the stories that we hear that gives us the strength and happiness to go though life – one day at a time.
Director Tim McCanlies’ best piece of work would be this one. And he probably had very little to do with it. The sheer ease with which Duvall, Caine and Osmont essay their characters is just stunning. Needless to say, Secondhand Lions is a movie worth watching due to 2 aspects – Story and performances. Both of which are superb. Don’t miss an opportunity to watch this one. 8 on 10.
Watch the trailer at http://www.youtube.com/watch?v=-COMJckISVY
And I do not usually let an opportunity by to watch it again. So, when Prarthana said she had not seen it, I had to make the most of the opportunity. Took us a few weeks to get around to eventually seeing it but I would not be lying if I said that both of us enjoyed it thoroughly. She was seeing it for the first time. I had lost count.
Garth (Michael Caine / Kevin Haberer) and Hub (Robert Duvall / Christian Kane) are seventy something young men – I say young because of their immense zest for life. They are now retired and rumour has it that they are loaded. Not with assets and money in the bank. But with hard cash. Cash they have stowed away somewhere on their estate. Far away from most civilization.
Cash that has various theories about its origin. One of them states that Garth and Hub were extremely famous bank robbers of the 1940s. Led by the brave and courageous Hub. Backed with the intelligence of Garth. A more popular story was about them being bounty hunters and the money was hard earned and to a significant extent given by a Shiekh (Adam Ozturk) who Hub defeated while wooing their mutual love interest – Jasmine (Emmanuelle Vaugier).
So, when Mae (Kyra Sedgwick), gets wind of the fact that her uncles are loaded, she decides that the best way to get her hands on the money is by leaving her son Walter (Haley Joel Osment) with them. Truth is that she wants to leave a life that is far more adventurous than handling an eleven year old. The rest of the story is about how Walter actually builds a strong bond of trust, love and most importantly faith with his uncles.
I must forewarn you that there is a possibility of shedding a tear of joy or two while you watch Secondhand Lions. Thankfully it will be a tear of joy for a wonderful story of faith. Of how we choose to be either happy or sad. To be either trusting or skeptical. And it is the faith that we have around the stories that we hear that gives us the strength and happiness to go though life – one day at a time.
Director Tim McCanlies’ best piece of work would be this one. And he probably had very little to do with it. The sheer ease with which Duvall, Caine and Osmont essay their characters is just stunning. Needless to say, Secondhand Lions is a movie worth watching due to 2 aspects – Story and performances. Both of which are superb. Don’t miss an opportunity to watch this one. 8 on 10.
Watch the trailer at http://www.youtube.com/watch?v=-COMJckISVY
Friday, 20 July 2012
The Dark Knight Rises
With every Christopher Nolan movie, I dread walking into the movie hall. Because every time, I see a new one from his table, my older ranking starts seeming like a joke. In 7 years, this is Nolan’s 5th movie. And every time, I am tempted to give a 9 on 10. I land up giving it only to bite my tongue a year or two later. So I am really not sure whether I should rate The Dark Knight Rises at all.
No one but Nolan has really shown the story of Bruce Wayne, the way Bob Kane would have wanted it to be narrated. And that can happen if an only if you love something so much that you give it everything one has – not to mention the truck loads of talent that is required to bring a passion to life. TDKR is no different. There could not have been a more fitting finale to give Batman the status of “the most popular superhero to hit the silver screen”…. Or can there be?
Disclaimer – I am a huge fan of Nolan and more importantly the Dark Knight as narrated by Nolan. So this review is definitely going to be biased. So if you want to read a genuine critic talking about how the movie could have been better etc., then I suggest you look elsewhere coz here you are going to find only good things being written about Nolan. In fact Nolan has to actually commit hara-kiri and we may still pardon him.
In true Nolan fashion, this part also is brilliantly scripted and shot with great emphasis on each frame and character. No hero can or will ever be great without an equally brilliant villain. I will not even think to venture into The Joker’s territory as one of the best villains ever but you need to watch out for Tom Hardy as Bane in TDKR to believe what I am saying. And it is not just the eerie nature of the mask or the gruff muffled voice through the mask which makes you cringe in your pants. One cannot help but admire casting director John Papsidera. How can anyone pick such perfect actors for each role?
I cannot say that TDKR is flawless. The exceptionally trained eye will pick up some glitches – but they are too insignificant in the context of the movie. But I also haven’t yet seen a standing ovation to a Hollywood movie. I haven’t seen so many people staying glued to their seats till the last line of the credits moved out of the screen. And I haven’t seen a housefull 7 am show anywhere in the country.
Enough said. Time for you to go out there and try your luck. Watch it on the IMAX Screen some time at least – even if it is the 2nd time – don’t worry… you will be back for seconds. 9 on 10 once again!!!! Chris Nolan – you rock our world!!! I know… I haven’t given any sneak peek into the story this time. But believe me that’s intentional. I would not want to ruin the best movie of the year so far with even the smallest of spoilers. The shows @ IMAX are full upto Monday I am told. So if u get lucky…. U get lucky… enjoy.
Watch the trailer at http://www.imdb.com/video/imdb/vi2376312089/
No one but Nolan has really shown the story of Bruce Wayne, the way Bob Kane would have wanted it to be narrated. And that can happen if an only if you love something so much that you give it everything one has – not to mention the truck loads of talent that is required to bring a passion to life. TDKR is no different. There could not have been a more fitting finale to give Batman the status of “the most popular superhero to hit the silver screen”…. Or can there be?
Disclaimer – I am a huge fan of Nolan and more importantly the Dark Knight as narrated by Nolan. So this review is definitely going to be biased. So if you want to read a genuine critic talking about how the movie could have been better etc., then I suggest you look elsewhere coz here you are going to find only good things being written about Nolan. In fact Nolan has to actually commit hara-kiri and we may still pardon him.
In true Nolan fashion, this part also is brilliantly scripted and shot with great emphasis on each frame and character. No hero can or will ever be great without an equally brilliant villain. I will not even think to venture into The Joker’s territory as one of the best villains ever but you need to watch out for Tom Hardy as Bane in TDKR to believe what I am saying. And it is not just the eerie nature of the mask or the gruff muffled voice through the mask which makes you cringe in your pants. One cannot help but admire casting director John Papsidera. How can anyone pick such perfect actors for each role?
I cannot say that TDKR is flawless. The exceptionally trained eye will pick up some glitches – but they are too insignificant in the context of the movie. But I also haven’t yet seen a standing ovation to a Hollywood movie. I haven’t seen so many people staying glued to their seats till the last line of the credits moved out of the screen. And I haven’t seen a housefull 7 am show anywhere in the country.
Enough said. Time for you to go out there and try your luck. Watch it on the IMAX Screen some time at least – even if it is the 2nd time – don’t worry… you will be back for seconds. 9 on 10 once again!!!! Chris Nolan – you rock our world!!! I know… I haven’t given any sneak peek into the story this time. But believe me that’s intentional. I would not want to ruin the best movie of the year so far with even the smallest of spoilers. The shows @ IMAX are full upto Monday I am told. So if u get lucky…. U get lucky… enjoy.
Watch the trailer at http://www.imdb.com/video/imdb/vi2376312089/
Labels:
2012,
9 on 10,
Anne Hathaway,
Christian Bale,
Christopher Nolan,
Gary Oldman,
Joseph Gordon-Levitt,
Juno Temple,
Marion Cotillard,
Matthew Modine,
Michael Caine,
Morgan Freeman,
Superhero,
Tom Hardy
Monday, 6 February 2012
Batman Begins
I could not have missed the opportunity to kick start my movies for the weekend with a Saturday nite show of Batman Begins. And it obviously helped that on a Saturday I had been movie free!!! Sacrilegious I say!!! So I wasn’t going to let this pass. And my respect for Christopher Nolan keeps going up every time I see a movie. I wasn’t watching Batman Begins for the first time mind you. But each time I see it, I build a deeper sense of respect for Nolan who is not just one of the finest directors of our time but also one of the visionaries of cinema. Bob Kane couldn’t have asked for a better director to bring to life “Batman” – the way it was supposed to be.
People must have been doggone bored with Batman by the time this one released. 4 Batman movies had preceded Batman Begins – none of which had told the story of Batman, the way it was supposed to be told. More importantly, there were 3 Batmans in 4 movies. And 3 directors. With the exception of the Tim Burton / Michael Keaton combination, the other 2 not only failed to excite the audiences but also left them with a distaste for Batman movies like never before. Thankfully, Batman Begins came in after a hiatus of 8 years and audiences had probably forgotten the trauma that they went through with Mr. Freeze and Poison Ivy. One of the few movies on imdb that has a score of below 4 (from what I have seen). Thankfully Catwoman (2004) didn’t feature Batman and so people were fine with another Batman movie.
They wouldn’t have regretted spending the better part of nearly 2.5 hours watching the saga of Batman unfold from Bruce Wayne’s “scaredy cat” days as a child with fear of bats to his nerdy looking days when he is studying at college to a point in time where he decides to really follow best friend Rachel Dawes (Katie Holmes) advise and decides to really do something about the grime around him rather than just claim to be a good man below his façade. Batman Begins sees the introduction of Ra’s Al Ghul and The Scarecrow aka Dr. Johnathan Crane (Cillian Murphy) both of whom are portrayed brilliantly by Nolan. It kind of sets the tone for the sequels to come where very clearly, the villain would have as much screen time & content of role if not more than Batman himself. A fact that had till then been vastly underplayed with the exception of the first Batman where Jack Nicholson played the role of The Joker.
Batman Begins is the truest and the most sincere representation of the Batman Story that I have seen so far. It was no surprise that the movie closes with the introduction of the “calling card” and sets things up beautifully for Dark Knight. Must watch. 8 on 10.
Watch the trailer at http://www.imdb.com/video/screenplay/vi2743468569/
People must have been doggone bored with Batman by the time this one released. 4 Batman movies had preceded Batman Begins – none of which had told the story of Batman, the way it was supposed to be told. More importantly, there were 3 Batmans in 4 movies. And 3 directors. With the exception of the Tim Burton / Michael Keaton combination, the other 2 not only failed to excite the audiences but also left them with a distaste for Batman movies like never before. Thankfully, Batman Begins came in after a hiatus of 8 years and audiences had probably forgotten the trauma that they went through with Mr. Freeze and Poison Ivy. One of the few movies on imdb that has a score of below 4 (from what I have seen). Thankfully Catwoman (2004) didn’t feature Batman and so people were fine with another Batman movie.
They wouldn’t have regretted spending the better part of nearly 2.5 hours watching the saga of Batman unfold from Bruce Wayne’s “scaredy cat” days as a child with fear of bats to his nerdy looking days when he is studying at college to a point in time where he decides to really follow best friend Rachel Dawes (Katie Holmes) advise and decides to really do something about the grime around him rather than just claim to be a good man below his façade. Batman Begins sees the introduction of Ra’s Al Ghul and The Scarecrow aka Dr. Johnathan Crane (Cillian Murphy) both of whom are portrayed brilliantly by Nolan. It kind of sets the tone for the sequels to come where very clearly, the villain would have as much screen time & content of role if not more than Batman himself. A fact that had till then been vastly underplayed with the exception of the first Batman where Jack Nicholson played the role of The Joker.
Batman Begins is the truest and the most sincere representation of the Batman Story that I have seen so far. It was no surprise that the movie closes with the introduction of the “calling card” and sets things up beautifully for Dark Knight. Must watch. 8 on 10.
Watch the trailer at http://www.imdb.com/video/screenplay/vi2743468569/
Labels:
2005,
8 on 10,
Christian Bale,
Christoper Nolan,
Cillian Murphy,
Gary Oldman,
Katie Holmes,
Ken Watanabe,
Liam Neeson,
Mark Boone Junior,
Michael Caine,
Morgan Freeman,
Thriller,
Tom Wilkinson
Thursday, 26 January 2012
Sleuth
This has to definitely move to everyone’s watch list. I mean, how often would you get a movie that has exactly 4 actors. I am not kidding you. FOUR ACTORS. And now wait for more surprises. One of them doesn’t even have screen time. Carmel O’Sullivan’s role is just that of a voice on the phone. How cool is that? Just a voice on the phone. And Harold Pinter’s role of 33.285 seconds is a recorded version of some TV show. That’s it. In a little over 80 minutes the supremely talented Kenneth Branagh directs 2 of the finest actors of our time – Michael Caine and Jude Law – in a psychotic thriller of sorts.
Set in a completely dark background, Sleuth is about 2 men who have one thing in common and nothing else. Unfortunately, the one thing that they have in common is not the most pleasant thing that could probably be common between 2 men – and no you homophobics I am not talking about the same bed. I am talking about the same woman in their lives. To one – Andrew Wyke (Michael Caine) – she is the wife. To the other – Milo Tindle (Jude Law) – she is the mistress. Hows that for a lethal commonality to have. And hows that as a concept to take to the big screen?
And it took a Malaysian Airlines flight for me to figure out that something like this was not just thought of but actually executed. And the write up on the in flight card said nothing to excite me about the movie. The only reason I picked it up as a movie to watch was because it was a little over 80 minutes long and I have this fetish about finishing as many movies I can on a flight. I could well have missed it had it not been for the length of the movie.
The execution is almost like a 2 act play. Maybe that comes from Branagh’s known fetish for Shakespeare. Most of his directorial attempts have involved the Bard. So it is probably not surprising that Sleuth comes across the same way. Michael Caine’s performance as the gilted husband who is out to seek revenge personifies that old saying popularized by Quentin Tarantino – Revenge is a dish best served cold.
The detailed scheme that is put to action by Wyke is made even more eerie with the dark hue that is part of the movie all through. And then there are some superb camera angles such as shooting the first few minutes of Tindle’s entry from the top view. And the use of mirrors when Tindle and Wyke have their first drink together. Superb direction from Branagh who has adapted the play by Anthony Shaffer into a full length feature. And I should not take anything away from Jude Law’s performance either.
I am lucky to have caught up with Sleuth on an in-flight. I have promised myself to pick up a copy at the earliest. This one is a collectible. 7.5 on 10. Wonder why it didn’t make it to the Oscars for some category at least. I would have thought screenplay.
Watch the trailer at http://www.imdb.com/video/screenplay/vi4052222233/
Set in a completely dark background, Sleuth is about 2 men who have one thing in common and nothing else. Unfortunately, the one thing that they have in common is not the most pleasant thing that could probably be common between 2 men – and no you homophobics I am not talking about the same bed. I am talking about the same woman in their lives. To one – Andrew Wyke (Michael Caine) – she is the wife. To the other – Milo Tindle (Jude Law) – she is the mistress. Hows that for a lethal commonality to have. And hows that as a concept to take to the big screen?
And it took a Malaysian Airlines flight for me to figure out that something like this was not just thought of but actually executed. And the write up on the in flight card said nothing to excite me about the movie. The only reason I picked it up as a movie to watch was because it was a little over 80 minutes long and I have this fetish about finishing as many movies I can on a flight. I could well have missed it had it not been for the length of the movie.
The execution is almost like a 2 act play. Maybe that comes from Branagh’s known fetish for Shakespeare. Most of his directorial attempts have involved the Bard. So it is probably not surprising that Sleuth comes across the same way. Michael Caine’s performance as the gilted husband who is out to seek revenge personifies that old saying popularized by Quentin Tarantino – Revenge is a dish best served cold.
The detailed scheme that is put to action by Wyke is made even more eerie with the dark hue that is part of the movie all through. And then there are some superb camera angles such as shooting the first few minutes of Tindle’s entry from the top view. And the use of mirrors when Tindle and Wyke have their first drink together. Superb direction from Branagh who has adapted the play by Anthony Shaffer into a full length feature. And I should not take anything away from Jude Law’s performance either.
I am lucky to have caught up with Sleuth on an in-flight. I have promised myself to pick up a copy at the earliest. This one is a collectible. 7.5 on 10. Wonder why it didn’t make it to the Oscars for some category at least. I would have thought screenplay.
Watch the trailer at http://www.imdb.com/video/screenplay/vi4052222233/
Friday, 1 July 2011
Cars 2
It was Pixar’s 20th Anniversary in 2006 when they made Cars. And while there may have been several other movies that Pixar could have chosen to make a sequel to, Cars 2 would have been as good a tribute as any other to Pixar’s existence. Yes Toy Story 3 could have been released a year later to commemorate the silver jubilee of Pixar (coz that’s what started it all) but then the magic of Cars is still up there. And Cars 2 doesn’t disappoint you one bit. Through the two hours that you would spend in the movie hall for this one, you would be reminded about the older characters which were so clearly sketched in the first edition of this superb franchise (buy it on DVD if you haven’t seen it yet) and you would also add a few more beautiful and memorable characters to a list that you would remember ever so fondly for the rest of your life. Kids, teenagers, tweenagers, or the older ones would all love Cars 2 in the same way.
One had to wait for a long time to see Cars 2 – something that I wasn’t too sure about after Cars 1 because they hadn’t really left it open ended enough to have one – but John Lasseter (who also gave us Cars) continues to spin the magic that he started off 5 years back. This time around the story revolves around a magic green fuel called Allinoil invented by the great Sir Miles Axelrod (Eddy Izzard) who is not only an adventurer but also one of the richest men – oops cars – in the world. To promote Allinoil, Sir Axelrod, organizes the race of all races – across 3 race tracks which would test the best race cars from all across the world. With race tracks that combine the best conditions for a variety of cars, Formula 1, Rally Cars and of course Indi Cars. Our hero Lightning decides to opt out but with the right instigation from the famous F1 Car Francesco Bernoulli (John Turturro) he decides to take the challenge on. However, there is something fishy going on which gets 2 characters into the fray – Finn McMissile (Michael Caine) and Holley Shiftwell (Emily Mortimer) – 2 secret agents who are onto something here. And when cars start blowing up they know that something is not right about this race.
Lasseter continues with what he is great at – character detailing. He leaves very little to imagination and covers as many traits of the characters as possible in the short time available. He continues to be aided by great casting – Caine is slick as McMissile and Mortimer is equally good as Shiftwell. The other voice overs continue to be the same as the first part with Larry the Cable Guy as Mator is outstanding!!! While the message in the previous edition was mainly about humility, this one is mainly about valuing friendships – a trait in Pixar animation that I truly admire. It is essential for movies to carry a message – even more so with animation cause we influence the younger ones even more. Although Cars 2 is for young and old alike. I give this an 8.5 on 10 yet again. Loved it completely!!!! This years academy awards line up is ready – Cars 2, Kung Fu Panda and Rango. No one else comes close.
Watch the trailer at http://www.imdb.com/video/imdb/vi1822465049/
One had to wait for a long time to see Cars 2 – something that I wasn’t too sure about after Cars 1 because they hadn’t really left it open ended enough to have one – but John Lasseter (who also gave us Cars) continues to spin the magic that he started off 5 years back. This time around the story revolves around a magic green fuel called Allinoil invented by the great Sir Miles Axelrod (Eddy Izzard) who is not only an adventurer but also one of the richest men – oops cars – in the world. To promote Allinoil, Sir Axelrod, organizes the race of all races – across 3 race tracks which would test the best race cars from all across the world. With race tracks that combine the best conditions for a variety of cars, Formula 1, Rally Cars and of course Indi Cars. Our hero Lightning decides to opt out but with the right instigation from the famous F1 Car Francesco Bernoulli (John Turturro) he decides to take the challenge on. However, there is something fishy going on which gets 2 characters into the fray – Finn McMissile (Michael Caine) and Holley Shiftwell (Emily Mortimer) – 2 secret agents who are onto something here. And when cars start blowing up they know that something is not right about this race.
Lasseter continues with what he is great at – character detailing. He leaves very little to imagination and covers as many traits of the characters as possible in the short time available. He continues to be aided by great casting – Caine is slick as McMissile and Mortimer is equally good as Shiftwell. The other voice overs continue to be the same as the first part with Larry the Cable Guy as Mator is outstanding!!! While the message in the previous edition was mainly about humility, this one is mainly about valuing friendships – a trait in Pixar animation that I truly admire. It is essential for movies to carry a message – even more so with animation cause we influence the younger ones even more. Although Cars 2 is for young and old alike. I give this an 8.5 on 10 yet again. Loved it completely!!!! This years academy awards line up is ready – Cars 2, Kung Fu Panda and Rango. No one else comes close.
Watch the trailer at http://www.imdb.com/video/imdb/vi1822465049/
Monday, 21 February 2011
Gnomeo & Juliet
I am an amateur critic and would probably not understand the finer nuances of animation. But in my not so expert opinion, I think Disney has given us a lovely movie yet again. This time with director Kelly Asbury (Shrek 2; Spirit : Stallion of the Cimaron) they give us an adaptation of a The Bard’s classic and make no bones about it when they start the movie by saying “The story you are about to see has been told – A LOT”. It is definitely just another Romeo and Juliet movie but it is told a bit differently and Disney has ensured that it doesn’t turn out to be insulting to a classic like Rob Letterman did to Gullivers Travels. In fact it is an extremely entertaining animation movie for both adults and kids alike. And rest assured, the kids will totally love it.
In Stratford upon Avon (Shakespeare’s birth place) stay an elderly gentleman by the name of Mr. Capulet (Richard Wilson) and an equally elderly lady called Ms. Montague (Julie Walters). They are forever at loggerheads with each other. But this enmity is not restricted to just them. Even their ceramic garden gnomes come to life when there are no humans around and take the fight way too seriously for their own good. In the Blue corner is a team of gnomes led by Lady Blueberry (Maggie Smith) and her son Gnomeo (James McAvoy) along with their trusted ally Benny (Matt Lucas). In the Red corner is Lord Redbrick (Michael Caine), Tybalt (Jason Statham), Fawn (Ozzy Osbourne) and the extremely cute martial arts expert, Juliet (Emily Blunt). Their fights range from ruining the opponents garden to their favourite “national” pastime – Lawn mower racing. The not so obvious twist in the tale is when Gnomeo meets Juliet and it is love at first sight. Of course they take a few minutes to figure out what they are getting into but as Juliet’s frog nanny – Nanette (Ashley Jensen) puts it – the relationship is DOOMED from day one. And things only get worse when Tybalt decides to raid the Blue Lawns and destroy a flower that Gnomeo’s late father had lovingly planted and the Blue Army had tended to all these years.
A slew of corny one lines and references to Shakespearean classics do not prevent this movie from being great fun to watch. Stuff like Juliet being stuck to her pedestal with the “Taming of the Glue” or the fact that the warring elderly couple stay on Verona Drive or Nanette telling Gnomeo’s pet mushroom “You look like a fun gi”. And it is garnished with Elton John songs from the past 3 decades. The voice overs are excellent. The distinctly identifiable ones are those of Michael Caine, Ozzy Osbourne and surprise surprise Hulk Hogan as the Terrafirminator – the mean lawn mower that sets you back by a 1000 pounds of hard earned money only to cause the complete destruction of the back yards. The resulting product spread over just under 85 mins is a lovely way to spend a weekend afternoon. And it would not matter if you don’t see it in 3D coz the effects are quite bland. A very entertaining flick but on second thoughts, may not make it to the Oscars this year. Guess there were many other animation movies that were better off. I give this a 6 on 10.
Watch the trailer at http://www.imdb.com/video/imdb/vi854264089/
In Stratford upon Avon (Shakespeare’s birth place) stay an elderly gentleman by the name of Mr. Capulet (Richard Wilson) and an equally elderly lady called Ms. Montague (Julie Walters). They are forever at loggerheads with each other. But this enmity is not restricted to just them. Even their ceramic garden gnomes come to life when there are no humans around and take the fight way too seriously for their own good. In the Blue corner is a team of gnomes led by Lady Blueberry (Maggie Smith) and her son Gnomeo (James McAvoy) along with their trusted ally Benny (Matt Lucas). In the Red corner is Lord Redbrick (Michael Caine), Tybalt (Jason Statham), Fawn (Ozzy Osbourne) and the extremely cute martial arts expert, Juliet (Emily Blunt). Their fights range from ruining the opponents garden to their favourite “national” pastime – Lawn mower racing. The not so obvious twist in the tale is when Gnomeo meets Juliet and it is love at first sight. Of course they take a few minutes to figure out what they are getting into but as Juliet’s frog nanny – Nanette (Ashley Jensen) puts it – the relationship is DOOMED from day one. And things only get worse when Tybalt decides to raid the Blue Lawns and destroy a flower that Gnomeo’s late father had lovingly planted and the Blue Army had tended to all these years.
A slew of corny one lines and references to Shakespearean classics do not prevent this movie from being great fun to watch. Stuff like Juliet being stuck to her pedestal with the “Taming of the Glue” or the fact that the warring elderly couple stay on Verona Drive or Nanette telling Gnomeo’s pet mushroom “You look like a fun gi”. And it is garnished with Elton John songs from the past 3 decades. The voice overs are excellent. The distinctly identifiable ones are those of Michael Caine, Ozzy Osbourne and surprise surprise Hulk Hogan as the Terrafirminator – the mean lawn mower that sets you back by a 1000 pounds of hard earned money only to cause the complete destruction of the back yards. The resulting product spread over just under 85 mins is a lovely way to spend a weekend afternoon. And it would not matter if you don’t see it in 3D coz the effects are quite bland. A very entertaining flick but on second thoughts, may not make it to the Oscars this year. Guess there were many other animation movies that were better off. I give this a 6 on 10.
Watch the trailer at http://www.imdb.com/video/imdb/vi854264089/
Labels:
2011,
6 on 10,
Animation,
Ashley Jensen,
Emily Blunt,
Hulk Hogan,
James McAvoy,
Jason Statham,
Jim Cummings,
Julie Walters,
Kelly Asbury,
Maggie Smith,
Matt Lucas,
Michael Caine,
Ozzy Osbourne
Friday, 13 August 2010
The Prestige
Every magic trick has 3 parts or Acts. The first step is the pledge where an ordinary object is introduced and if required the audience is invited to check on. Then there is the Turn which is the first part of the trick like making the object disappear. But the most important part is the third. The audience needs to see the object coming back before they genuinely place their faith on you and applaud. This is THE PRESTIGE.
In the late 1800s, Robert Angier (Hugh Jackman) & Alfred Borden (Christian Bale) are 2 up and coming artistes who work for an elderly magician Milton. Cutter (Michael Caine) is Milton’s Engineer – the person who controls the backend of all the tricks. Lastly there’s Julia (Piper Perabo) is the beautiful distraction to the audience, Angier’s wife, Milton’s assistant / helper who also is part of the lead trick – the underwater escape. In one of the attempts, Borden ties Julia’s hands in a different knot. Unable to escape, she drowns. And the story of vengeance between Borden and Angiers begins.
Since Milton’s show is now officially closed, our protagonists decide to start making a living off their own skill sets. Borden is convinced that good magic is all about getting ones hands dirty and is in his first show itself attempts to catch a bullet. A trick that can get a bit nasty if not executed well. Angiers shows up here and demands to know if Borden had tied the knot differently when Julia died. Borden maintains that he does not remember. In disgust, Angiers shoots 2 of his fingers off leaving him almost incapable of performing any further magic.
Both Angiers and Borden continue their rivalry over time and keep sabotaging each other’s shows with a pure intent of vengeance. They are now known as The Great Danton and The Professor respectively. The Professor, however, continues to be a better magician and Angiers the better showman. The constant attempt to stay ahead of the competition leads The Professor to his latest trick – The Transported Man – A seemingly simple trick of getting into a closet at one end of the stage and reappearing through a door at the other end in a split second. The trick, of course turns out to be a huge hit.
Incensed by the success of the Transported Man, Angiers now is desperate to get a trick of his own which is as impactful. However, his limited intelligence only leads him to resort to a body double and launch The New Transported Man which receives reasonable favour with audiences but does not manage to satiate Angiers’ apetite to know what exactly is being done. He starts going to great lengths to find out what is being done. He sends across his extremely attractive assistant Ms. Olivia Wenscombe (Scarlett Johansson) as a defector to the Professor’s camp. Gets her to steal the Professor’s book to which he needs a key to crack the codes. Kidnaps the Professor’s engineer, Fallon who he buries alive all just to find out the secret to the Transported Man. Borden succumbs into the pressure and gives him a one word answer – TESLA
The movie is set in the late 1800s, as mentioned earlier. It is slow but amazingly gripping – atypical Nolan style. This was Nolan’s 5th movie and by now the signs were ominous enough that we have with us someone who is going to be talked about in the movie business for eons to come. The magic that Nolan weaves by taking us way back in time through a rivalry between 2 professionals who are willing to go to any extent possible to be termed the best is simply superb. The cinematography is as always brilliant – with a golden hue that we have come to associate with most of Nolan’s movies to date – even those that have been released in the recent past.
The performances by almost everyone is simply amazing. Even David Bowie in his bit part of Tesla is immaculate to say the least. By now, quite surely, Nolan and Tarantino would be the most sought after directors to work with from an actor’s perspective.
I had mentioned in one of my earlier write ups that Nolan has raised the bar with almost every movie that he has made. One has to watch Batman Begins followed by The Prestige to really make this out. Slightly different genres of movies but distinct improvement in all aspects with no offence meant to any of Nolan’s works prior to The Prestige. I give this 8 on 10.
In the late 1800s, Robert Angier (Hugh Jackman) & Alfred Borden (Christian Bale) are 2 up and coming artistes who work for an elderly magician Milton. Cutter (Michael Caine) is Milton’s Engineer – the person who controls the backend of all the tricks. Lastly there’s Julia (Piper Perabo) is the beautiful distraction to the audience, Angier’s wife, Milton’s assistant / helper who also is part of the lead trick – the underwater escape. In one of the attempts, Borden ties Julia’s hands in a different knot. Unable to escape, she drowns. And the story of vengeance between Borden and Angiers begins.
Since Milton’s show is now officially closed, our protagonists decide to start making a living off their own skill sets. Borden is convinced that good magic is all about getting ones hands dirty and is in his first show itself attempts to catch a bullet. A trick that can get a bit nasty if not executed well. Angiers shows up here and demands to know if Borden had tied the knot differently when Julia died. Borden maintains that he does not remember. In disgust, Angiers shoots 2 of his fingers off leaving him almost incapable of performing any further magic.
Both Angiers and Borden continue their rivalry over time and keep sabotaging each other’s shows with a pure intent of vengeance. They are now known as The Great Danton and The Professor respectively. The Professor, however, continues to be a better magician and Angiers the better showman. The constant attempt to stay ahead of the competition leads The Professor to his latest trick – The Transported Man – A seemingly simple trick of getting into a closet at one end of the stage and reappearing through a door at the other end in a split second. The trick, of course turns out to be a huge hit.
Incensed by the success of the Transported Man, Angiers now is desperate to get a trick of his own which is as impactful. However, his limited intelligence only leads him to resort to a body double and launch The New Transported Man which receives reasonable favour with audiences but does not manage to satiate Angiers’ apetite to know what exactly is being done. He starts going to great lengths to find out what is being done. He sends across his extremely attractive assistant Ms. Olivia Wenscombe (Scarlett Johansson) as a defector to the Professor’s camp. Gets her to steal the Professor’s book to which he needs a key to crack the codes. Kidnaps the Professor’s engineer, Fallon who he buries alive all just to find out the secret to the Transported Man. Borden succumbs into the pressure and gives him a one word answer – TESLA
The movie is set in the late 1800s, as mentioned earlier. It is slow but amazingly gripping – atypical Nolan style. This was Nolan’s 5th movie and by now the signs were ominous enough that we have with us someone who is going to be talked about in the movie business for eons to come. The magic that Nolan weaves by taking us way back in time through a rivalry between 2 professionals who are willing to go to any extent possible to be termed the best is simply superb. The cinematography is as always brilliant – with a golden hue that we have come to associate with most of Nolan’s movies to date – even those that have been released in the recent past.
The performances by almost everyone is simply amazing. Even David Bowie in his bit part of Tesla is immaculate to say the least. By now, quite surely, Nolan and Tarantino would be the most sought after directors to work with from an actor’s perspective.
I had mentioned in one of my earlier write ups that Nolan has raised the bar with almost every movie that he has made. One has to watch Batman Begins followed by The Prestige to really make this out. Slightly different genres of movies but distinct improvement in all aspects with no offence meant to any of Nolan’s works prior to The Prestige. I give this 8 on 10.
Tuesday, 20 July 2010
Inception
In our day to day lives (especially if you are a B School student), we are always asked to raise the benchmark. Well if we need to look for inspiration to do this, there is one person who has since 1997 been raising the bar each time. He goes by the name of Christopher Nolan. Yes, the guy who probably shot to fame in India with Dark Knight but the journey started over 13 years back with a movie called Doodlebug. His 9th movie, INCEPTION, is yet another masterpiece that makes his previous efforts look slightly pale in comparison. Yes my dears, we have one of the strongest contenders for the Oscars this year.
Dom Cobb (Leo DiCaprio) along with his trusted aide, Arthur (Joseph Gordon-Levitt) specialize in a technique of entering your mind to figure out your ideas. He does this by getting into your dreams i.e. your sub conscious mind which is where the best of ideas are hidden. He can, by doing this, also reveal your deepest darkest secrets. The concept is called Deception.
In his current role, Cobb is working for an organization to get into the mind of Saito (Ken Watanabe) a Japanese entrepreneur whose organization is one of the world leaders in energy. However, Cobb is not successful in his attempt and therefore has to face the consequences which could even be death. However, Saito, realizing Cobb’s expertise offers him a trade off. He is also aware that Cobb is on the run and cannot make it back to the US because he allegedly killed is wife, Mal (the ever so beautiful Marion Cotillard). Saito wants Cobb to take reverse the idea of Deception i.e. plant an idea in the mind of his biggest competitor Robert Fischer Jr. (Cilian Murphy) heir to the largest energy company in the world owned by Maurice Fischer (Pete Postlewaithe – Usual Suspects – Kobayashi). Maurice Fischer is on his deathbed. Saito wants Cobb to plant an idea into Robert’s mind that he has disappointed Maurice and that he should dissolve the company and start all over again – INCEPTION.
Tempted by the possibility of being back with his children Phillipa and James, Cobb takes up the assignment and sets about building his team. He first approaches his father, Miles (Michael Caine) in Paris who puts him through to the first person in the sequence – the architect – the person who creates the dream/s as required. This is Ariadne (Ellen Page – She looks all of 16 but is actually 23!!!!!). Two more people join the team – Eames (Tom Hardy) and Yusuf (Dileep Rao) a chemist who is required to create chemicals that can keep the subjects sedated for over 10 hours and that too in a stable manner.
Now that the plot is clear, fasten your seat belts for what I believe is definitely the most exciting roller coaster ride of the year if not the decade. Nolan weaves a complete maze to keep the audience riveted to their seats and continuously wondering – what next? And if you were to curse Nolan in the end to leave the interpretation entirely to yourself – I would not be surprised at all. But then, that my friend is the magic of the movies and the magic created by Christopher Nolan.
I would like to see Inception once again. That it’s a brilliant movie kept aside, I would really really like to try and look for some mistake. Inception, at first look seems to be brilliant in probably every department. The only place that I could think of some chinks seem to be in the acting department. I say this because I have seen all these actors render roles that were far superior than their performances in Inception. However, I cant help but be fair to them and say that they all gave what was expected of them. The editing is picture perfect. The screenplay brilliant. Cinematography – oh so amazing. Special Effects superb. OK not I seem like a very easy man to please. Have a look at it yourself. This one is a collectible. This one is 9 on 10. Right up there in the list of movies that are absolutely must own and must watch. Christopher Nolan – Take a Bow.
Dom Cobb (Leo DiCaprio) along with his trusted aide, Arthur (Joseph Gordon-Levitt) specialize in a technique of entering your mind to figure out your ideas. He does this by getting into your dreams i.e. your sub conscious mind which is where the best of ideas are hidden. He can, by doing this, also reveal your deepest darkest secrets. The concept is called Deception.
In his current role, Cobb is working for an organization to get into the mind of Saito (Ken Watanabe) a Japanese entrepreneur whose organization is one of the world leaders in energy. However, Cobb is not successful in his attempt and therefore has to face the consequences which could even be death. However, Saito, realizing Cobb’s expertise offers him a trade off. He is also aware that Cobb is on the run and cannot make it back to the US because he allegedly killed is wife, Mal (the ever so beautiful Marion Cotillard). Saito wants Cobb to take reverse the idea of Deception i.e. plant an idea in the mind of his biggest competitor Robert Fischer Jr. (Cilian Murphy) heir to the largest energy company in the world owned by Maurice Fischer (Pete Postlewaithe – Usual Suspects – Kobayashi). Maurice Fischer is on his deathbed. Saito wants Cobb to plant an idea into Robert’s mind that he has disappointed Maurice and that he should dissolve the company and start all over again – INCEPTION.
Tempted by the possibility of being back with his children Phillipa and James, Cobb takes up the assignment and sets about building his team. He first approaches his father, Miles (Michael Caine) in Paris who puts him through to the first person in the sequence – the architect – the person who creates the dream/s as required. This is Ariadne (Ellen Page – She looks all of 16 but is actually 23!!!!!). Two more people join the team – Eames (Tom Hardy) and Yusuf (Dileep Rao) a chemist who is required to create chemicals that can keep the subjects sedated for over 10 hours and that too in a stable manner.
Now that the plot is clear, fasten your seat belts for what I believe is definitely the most exciting roller coaster ride of the year if not the decade. Nolan weaves a complete maze to keep the audience riveted to their seats and continuously wondering – what next? And if you were to curse Nolan in the end to leave the interpretation entirely to yourself – I would not be surprised at all. But then, that my friend is the magic of the movies and the magic created by Christopher Nolan.
I would like to see Inception once again. That it’s a brilliant movie kept aside, I would really really like to try and look for some mistake. Inception, at first look seems to be brilliant in probably every department. The only place that I could think of some chinks seem to be in the acting department. I say this because I have seen all these actors render roles that were far superior than their performances in Inception. However, I cant help but be fair to them and say that they all gave what was expected of them. The editing is picture perfect. The screenplay brilliant. Cinematography – oh so amazing. Special Effects superb. OK not I seem like a very easy man to please. Have a look at it yourself. This one is a collectible. This one is 9 on 10. Right up there in the list of movies that are absolutely must own and must watch. Christopher Nolan – Take a Bow.
Labels:
2010,
9 on 10,
Action,
Christoper Nolan,
Cillian Murphy,
Ellen Page,
Joseph Gordon Levitt,
Ken Watanabe,
Leonardo Di Caprio,
Marion Cotillard,
Michael Caine,
P Postlethwaite,
Tom Berenger,
Tom Hardy
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