Rangrezz

So what is it that makes a Priyadarshan movie? Let's examine this conundrum as closely as we possible can. Firstly the movie has to be copied - sorry inspired - by a movie that has originated from the South of the Vindhyas. The other directions or geographic territories are meaningless. In this case it is a Tamil movie called Naadodigal (Nomads) or loosely translated as Rangrezz (the 2 zs don't really help).

Bhool Bhulaiyaa

It took 14 years for Priyadarshan to probably gather to courage – because that’s what it would have taken a lot of – to remake a movie that he was a Second Unit Director.  To his credit, he is the only one out of the 3 in the movie who managed to make a move into Bollywood. 

 

But needless to say, he doesn’t emulate the magic that Fazil created on screen in 1993 with the national award winning Manichitratazhu (read as Mani Chitr tayu).  A movie that coincidentally has been fodder for remakes galore – Apthamitra in Kannada, Chandramukhi in Tamil and Telugu (dubbed), Rajmohol in Bengali, and of course the topic of this write up in Hindi.

 

The only reason I can think of as to why these movies fell short was the incapability to handle the topic with the seriousness that it required.  Of course the character played by Akshay Kumar – Aditya Srivastava – does have a humourous streak in him and enjoys playing the fool.  But I guess AK did a bit too much in his attempt to tell the audience that his comic timing is still alive.

 

Siddharth Chaturvedi (Shiney Ahuja) & Avni (Vidya Balan) are a newly married couple.  Sidhharth comes from a royal family and is actually the incumbent king of the village.  He has, however just returned from the states where he got married to Avni.  He had been there for his studies.  Upon Avni’s insistence and a little bit of his own desire, he decides to stay in his ancestral palace.

 

However, the resident spirit of the home doesn’t take too kindly to their stay.  A danseuse – Madhulika – who used to perform at the palace many moons ago is in love with Shashidhar (Vineeth) – the royal poet.  The fact doesn’t go too lightly with the Maharajah who in a fit of jealousy, executes the poet. 

 

Madhulika in turn commits suicide but before that puts a curse on the palace – no Maharajah will ever reside in the palace or else I will be the cause of his death.  To date, the curse stands.  And when Siddharth moves in, some funny events start occurring  that point a finger towards his cousin Radha (Ameesha Patel). Siddharth of course doesn’t believe in ghost stories and calls for his friend Aditya Srivastav – a psychiatrist to help.

 

This movie has a Priyadarshan touch to it – loud – REALLY LOUD.  Of course, several unnecessary attempts at comedy are also in order because it comes from his table.  But, to be fair, the movie is a frame to frame copy so there is very little value addition other than the above 2 points.

 

Most of the performances are also ordinary.  Shiney Ahuja in fact looks as constipated as he can possibly get.  I guess his moment of truth passed with Hazaaron Khwaishein – like with most of the people associated with that movie.  Even Vidya Balan is a tad above average but it was early days for her.  The support cast also – ordinary. 

 

It is only the story that makes the movie really worth watching.  I have seen it on a couple of occasions without too much of an effort.  So I guess a 6 on 10 is in order.  However, I encourage you to take a look at the original (unfortunately without subtitles) - http://www.youtube.com/watch?v=qdp4xudz958 and make your mind up on which one is better.

 

Trailer on http://www.youtube.com/watch?v=adQ3aNpEFXg

Kamaal Dhamaal Malamaal

There are 2 kinds of movies that Priyadarshan makes. Either the totally roller coaster, supremely slapstick, excruciatingly painfully loud kind of movie like Hulchul or that Malamaal Weekly. Or the average, sensible, semi-serious kinds, with a little bit of slapstick and loud in parts kind of movie like Bhool Bhulaiyya or Tezz. Mind you, I am not including his classy Malayalam movies which are a treat to watch.

Very rarely will you come across a movie from his table that is without a sense of purpose or which leaves you wondering – What was the purpose of this movie. Priyadarshan is exactly the kinds who stays true to the adage – Love him or hate him but you cannot ignore him. For a change, he has made a movie that leaves you totally flabbergasted at the end of it all.

Why did Priyadarshan make Kamaal Dhamaal Malamaal? Was it because he did not have any work at all? Not possible right? He just released Tezz earlier this year. Which was his 67th movie in some 26 years. That’s a lot of cinema isn’t it? Maybe he was paid so much money that he could not say no. Or just maybe he wanted to give the out of job Nana Patekar, an opportunity to come back into cinema.

Whatever the reason maybe, KDM would easily qualify as one Priyadarshan’s most insipid pieces of work. It starts with a background story which involves 2 friends from Bijnor in UP. David (Om Puri) and Peter (Paresh Rawal). They are the thickest of friends with the exception of Maria (Sona Nair) who is Peter’s girl friend. But when Peter gets his servant knocked up, David steps in to marry Maria. Why was all this back story given or required in the first 3 minutes – beats me. It has nothing to do with the rest of the movie whatsoever.

And then we cut to the current day where David has been pulled down by life to only ringing the bell @ the local church. He has 2 daughters who are of marriageable age. And a good for nothing son, Johnny (Shreyas Talpade) who believes he can get rich by buying lottery tickets. But he is also a “piss in his pants” scaredy cat who cannot stand up for either himself or the love of his life – again Maria (Madhhurima). All of this till his long lost brother – Sam aka Kallu (Nana Patekar) reappears.

I saw KDM only because I had nothing better to do and because it is an occupational hazard. But you really do not need to. There is nothing really worth looking forward to. Even the attempted item number featuring Anjana Sukhani is without purpose or direction. A very disappointing attempt that truly leaves you feeling cheated. 3 on 10 and extremely avoidable.

Watch the trailer on http://www.youtube.com/watch?v=JKGrDahdu3w

Tezz

Akash Rana (Ajay Devgn) is has just completed his engineering and wants to start a business of his own. He is in love with Nikita (Kangana Ranaut) who is a British Citizen. Much against her father’s wishes, she marries him. Akash becomes successful to the point of teasing his father in law with a new Mini Cooper that he purchases within no time. The father in law of course drives a Bentley and looks the other way.

All is hunky dory to the extent that Akash even helps out a couple of people. Firstly, he saves Megha (Sameera Reddy) from the hands of the police who are about to deport her. He also helps Adil (Zayed Khan) with a job at his engineering firm. Now the tricky part is that all of the above is illegal. Hilarious isn’t it? The Brits are trying to get illegal immigrants out of the country and our people have started a mini racket of sorts.

Akash of course gets caught and deported. The other 2 escape. Everything that Akash had saved up for is over. Now he seeks revenge. Revenge against the people who were basically doing their job right? But no, Akash believes in the concept of a world without borders and wants the Brits to suffer – Kyonki aaj izzat milti nahin hai. Chheen ni padti hai (You don’t get respect these days. You have to snatch it). Therefore, he decides to leave a bomb on Train no. 121 from London to Glasgow. That’s when the ride begins.

Now the basic premise of the movie is really ridiculous but then there are crazy people across the world who believe that they should be allowed to work in other countries without proper permits. That kept aside, Tezz has some really good work from Priyadarshan for a change. All chase sequences are really well shot. The outstanding one being where Megha is being chased by half the cops of Great Britain.

There are also sequences of Zayed Khan’s body double (quite obviously) providing a fantastic exhibition of Parkour or free running as they call it. The funny part is Anil Kapoor being able to emulate them at the same pace. So on one hand, the finishing is much better than most of the movies seen of late but on the other, you have too many inconsistencies. I guess, one can never get a perfect Hindi movie that needs effects.

Decent performances from most of the cast including the otherwise insipid Ranaut – except one scene where she is totally over the top about communicating her pregnancy to Akash. The only person who forever surprises me with his capability of getting movies is Zayed Khan. No acting classes can help this person. Not even Vishal Bharadwaj with all due respect to VB. Mohanlal and Boman Irani are outstanding in their respective roles.

If you have seen Taking of Pelham 123 and Unstoppable and Speed and any other runaway train movies then there is nothing new in Tezz. If not, you could actually enjoy it. 5 on 10. Worth a dekko for certain. You will not leave disappointed.

Valid point also to be noted – and we need to give credit where it is due – Tezz is shot predominantly in English and dubbed in Hindi later for Indian audiences. I would love to see the English version sometime. It would actually take up the movie a notch I am guessing.

Trailer on http://www.imdb.com/video/imdb/vi1057359641/

Aakrosh

Jhanjhar is a village in Bihar where there is only one law – that of the jungle. And in this case its not a lion that rules the jungle but a pack of wolves led by Bahubali – the village head in a manner of speaking. Holding him in good stead is mainly Ajat Shatru (Paresh Rawal) the local SP and Pappu Tiwari (Jaideep Ahlawat) who is the local goon. And in this jungle you don’t mess with the wolves. But that’s exactly what 3 students from a Delhi Medical School do. Led by Deepu who is from Jhanjhar and in love with Roshni (Amita Pathak), they make their way to Jhanjhar and try to elope with Roshni. All it takes is for one priest to see Roshni take off and the 3 are caught. They go missing and are untraceable for the next couple of months. The apathy on the government’s part gets to the students of the med school and they go on an indefinite hunger strike till the government takes the required action.


Promptly, a CBI Team is appointed. The team is led by Siddhant Chaturvedi (Akshaye Khanna) a hot blooded young CBI Officer who is 2 cases and 6 convictions old. He is joined by his sidekick Keshav (Vineet Sharma) and Major Pratap Kumar (Ajay Devgn) – Officer on special duty. The clash of personalities is very obvious. Siddhant is an officer who goes only by the book and follows protocol to the T. Major Pratap is all for protocol but a bit more street smart and aware of the intricacies that exist in a place like Jhanjhar. He knows that the law means little of nothing to the people there. More so since he comes from a background where his entire family is wiped out thanks to the vengeance of one such Zameendar.

The efforts of the CBI Team come to naught as they find all their leads disappearing by the day. Every person in the village is petrified of Bahubali and his cronies. Getting someone to be a witness seems to be a far fetched idea. None of them are willing to even speak to the team. Their main lead, Deepu’s maternal uncle is first threatened and then killed along with his kid. That leaves them with Jhamunia (Reema Sen) who is again threatened first and then the goons chop her tongue off. Their last straw would be Geeta (Bipasha Basu), Pratap’s ex flame and Ajat Shatru’s current wife who can be their only hope.

Priyadarshan’s last attempt at making a Drama would have been Virasat (1997) preceded by Kaala Pani (1996) and Gardish (1993). His attempts @ serious cinema and not slapstick have yielded much better results to date. Wonder why he doesn’t stick to something that he is good at. Its probably the typical case of having tasted blood with Hera Pheri (2000) and then living in the illusion that comedy is exactly what he is cut out for. Aakrosh marks Priyadarshan’s reasonably successful return to a genre of films that he is more suited for. Although the movie is extremely stretched out for over 2.5 hours, it still delivers a strong story line. It could have done without the meandering about in the first half and been delivered in a much more compact fashion. But I guess Priyan was quite rusty (13 years) and took a while to get into the groove. Way off from his best performance to date for sure. There are several editing and consistency flaws in the movie. Akshaye Khanna is shown coming into Jhanjhar in a First Class Compartment but gets out of an AC compartment.

Ajay Devgn has definitely come of age over his past few movies. Yet another solid performance with little or no constipated looks. However, all the others with the exception of Paresh Rawal are sad to say the least. Paresh Rawal once again comes on tops and shows us why he is probably the most versatile actor of our time. His execution of Ajat Shatru really makes one cringe in a way only a good villain can. Akshaye Khanna tries very hard but falls woefully short. Bipasha Basu as always is furniture – good looking furniture if it makes her feel better that is. Moreover, one cannot help but draw similarities with the likes of Mississippi Burning. Overall not 2 great a movie. I would give it 4 on 10.

Khatta Meetha

The build up to this movie was as big as it turned out to be a damp squib. Akshay Kumar visiting RK Laxman and the movie touted to be oriented towards the common man couldn’t have been further from the truth. Somewhere I had expected maybe just a little bit better than what it turned out to be. Thankfully I can provide 2 excuses for having watched this movie – that I need to review it and that mum wanted to have a dekko coz this was a remake of a Malayalam movie, Vella Anakalude Naatu (Land of White Elephants in translation).


Sachin Tichkule (AK) is a something of a good for nothing black sheep in what is considered to be an otherwise very successful family. The family used to be one of the royals of Satara but is currently relegated to having only one large mansion in which Sachin stays the parents (Kulbhushan Kharbhanda & Aruna Irani), 2 brothers who are married, 1 sister and her husband and 1 young sister (Urvashi Sharma). Our hero (wonder how we can call him that) is a government licensed contractor who is heavily in debt thanks to his payments not getting cleared by the municipal corporation thanks to him taking the easy way out and cutting corners.

Not that the rest of the family is not involved in spurious methods of making monies but the junior Tichkule is typically made the scapegoat coz he has no money ever. Things do start falling apart for the other members of the family when a bridge that they built collapses and leads to the death of 65 people. Using the family driver (Tinu Anand) as a scapegoat and with the help of the local politican Sanjay Rana, the elder Tichkules manage to wriggle out of a sticky situation. However they did not consider the effect one Azad (Makarand Deshpande) would have coz he has lost his wife and kid in the accident. When he does not receive any support from the government he decides to take matters up himself and starts investigating the people involved.

Parallely, Sachin is now thrilled to hear that a new commissioner has arrived in town and hopes that his payments would be released. New commissioner or not, how he expects the government to release payments when he has a case pending against them is beyond me. Nevertheless, to add to his misery, the new commissioner turns out to be Gehna Ganpule (Trisha) who was his college love interest – an aspect that is revealed only a bit later in the movie but is extremely predictable. Now it would seem that Sachin and Gehna parted ways in less than an amicable way over an argument when Sachin slaps her in a fit of rage coz she refuses to support the college strike. Now what comes to light is that our hero used to be a staunch follower of papa dear – Gandhivadi and all. But the tragic turn of his love life and 3 years of slogging of in Mumbai has gotten him down to ground zero. The love hate relationship comes to a head when Sachin gets Gehna incorrectly trapped in a bribery case.

Priyadarshan continues with his string of really loud movies which started with either Hulchul or Hungama (I cant recollect). For some reason he believes that the audience really cannot hear and that unless he gets his actors to scream, the message may not get through. The idea of the movie of course was to try and expose a corrupt government system which drains monies at every available instance. A little too late in the day to talk about this Mr.Priyadarshan coz it has been beaten to death. Tata Tea does a better job in under 60 seconds with each one of their Jaago Re campaign ads. Also, dear Mr. Priyadarshan please try and avoid the slapstick in your Hindi versions. If you can make much better / stronger movies in Malayalam which not only provide quality entertainment but also give a very solid message then why do you assume that the hindi movie goer does not have a bent of mind for serious cinema.

The acting throughout the movie is passé. AK really really really needs to take a long hard look into himself to see whether he would like to exit cinema with some respect left or bide his time some more and exit when he has no respect left. Trisha’s debut in Bollywood turns out to be a dampner. I don’t think she has dubbed for herself but at times u may be inclined to believe that she has especially when the accent heavily moves towards the one Hema Malini has in the Kent Aar Wo Purifier ad. The support cast has the usual suspects from Mr. Ps movies. Rajpal Yadav – please get a life. Manoj Joshi – capable of much more but relegated to some sidey role as the brother in law. You can do much better than playing a role of a sadak chhap Tharki. Johnny Lever was probably the only saving grace in his 6 mins and 48.5 seconds of screen time but there were moments where u would be inclined to think that Johnny bhai was really not interested in doing this movie.

Net Net Khatta Meetha was an experience worth forgetting. Keeping aside the fact that Trisha’s earnings were as big as the screen or the fact that she was a municipal commissioner wearing silk south Indian kancheepuram sarees in Satara or that girls in satara have started showing the bra strap as fashionably as they would in Mumbai or outside the country or the fact that the Computer animated elephant really appeared computer animated – it was still a bad bad experience. I would be kind if I were to give this movie 2 on 10. Clearly Ms. Kazmi has been bought out.